Sitting in the Taipei airport at sunrise. Off to Bangkok and then to Laos… more on my next project in the coming weeks!

Sitting in the Taipei airport at sunrise. Off to Bangkok and then to Laos… more on my next project in the coming weeks!

Here is the last installment of my video series on working with Plywerk Bamboo panels:
httpvh://youtu.be/ZtXKlxV7uP8
Supplies used in the video:
Surflon Starter Kit, Size 2, maximum hanging weight 30lb. (14kg), color Bright, Surflon Starter Kit (Enough hardware to hang 100 frames)
100 1-1/16″ Triangle Picture Hangers with Screws (Enough hardware to hang 50 frames)*
Sakura 30061 3-Piece Pigma Micron Blister Card Ink Pen Set, Black*
Waxman 4215495N 1/2-Inch Heavy Duty Bumper, Clear, Square*
If you have any questions regarding these materials or the tools, please post in the comments below.
Again, thanks for looking!
*I’m an Amazon Affiliate. Click through to Amazon (you don’t have to buy the items above, simply use the links to get to Amazon.com) and I get a percentage of anything you buy for the next 24 hours (30 days if you add an item to your cart). Your price does not change. Help me support this site.
I’ve been an ardent fan of the ‘alternative processes’ in photography for the last decade or so. I’ve taken classes in gum bichromate and cyanotype, but other than the attending classes, collecting a few antique optics, and acquiring a truly large collection of books on the various processes, I haven’t gone any deeper. The main reason is one of space, as I currently don’t have room for a wet darkroom. That will change.

This film American Tintype of the tintypist (great word!) Harry Taylor, created by Matt Morris is a poignant, beautifully told story about a man’s experience of loss transformed into a creative endeavor. Take a look:
In the fifth segment of Working With Plywerk Bamboo Art Panels I cover the simple, but important step of putting even pressure on the entire print surface and allowing time for the adhesive to set. Then I show the type of hardware I use to hang the panels on a gallery wall.

In the fourth part of Working With Plywerk Bamboo Art Panels I get show you how to trim and finish the edges of the print to be flush with edge of the panel. The edge finishing step is also a fall back if you should somehow slightly damage the cut edge of the print; it is an aesthetic choice… and a way to correct small mistakes. Bonus!

This is a very delicate step, so slow and steady is the mantra. Check it out:
In this installment of Working With Plywerk Bamboo Art Panels I center on a really touchy part of the process: the mounting of the print on the panel. Yes, this is the step where you have to be extra careful… in fact, if you aren’t focused, you may find yourself with a, uh, “poorly mated” print/panel that won’t be leaving your studio. Don’t ask me how I came about this knowledge… easy on the coffee, turn off the phone, and breath deeply.

Ok! Put down that coffee, take a couple of deep breaths, and onward to the mating process:
In this installment of my How To: videos, I cover working with the photographic print before mounting it to a Plywerk bamboo panel. I’ll talk about a tip I learned from Brooks Jensen of LensWork Magazine, I’ll cover getting the print cut accurately at 90 degrees even if your printer doesn’t print the image parallel to the edge of the paper, and I’ll show you how to lay out marks on the back of the print that will help in the mounting of the print to the panel.

Check out How To: Working With Plywerk Bamboo Art Panels Part #2:
I really like the aesthetic of my Botanica Obscura prints when they are mounted on Plywerk Bamboo Art Panels. However, while the mounting process isn’t exactly difficult, I have some very important pointers that will make working with the panels go much more easily.

So, I decided to do a short (!) video on my process, which ended up being so long that I broke it up into six parts. I will be posting these how-to videos over the next week. I’ll also list tools and materials that I mention in the videos in the corresponding blogs posts. Here is the first installment:

Back up in Bellingham this time to work on the Say A Prayer music video which will be part of the marketing and soundtrack for the Good Time Girls film. The song is by singer/songwriter Sarah Goodin, and plaintive it is. Even after hearing it played over and over for five hours while shooting, it still reverberated strongly with me…
Sometimes I come across a project that powerfully affects me. In Dark Light: A Journey Within is one.

Not only are the photographs stunning (I always love photography that makes me say “I wish I had done that.”) but the theme behind them is a powerful expression of the abyss of depression. That abyss I am also personally familiar with. From the photographer: