I really enjoy it when a client sends me a photo of my work hanging in their home—especially a home in which I have very fond memories.


I met a wonderful couple, Tim and Lena, in Laos, he was working for the UN at UXO-Lao on unexploded ordnance (UXO) demining projects and she was working at COPE. They really loved my Buddha Tree in the Mist panorama. So, here are some shots of it hanging in their home in Oslo. The print is actually hanging straight on the wall, but after some champagne and Tim’s self-admittedly questionable skills with a camera… thank you both!
Here is Buddha Tree in the Mist:

It’s always satisfying when a client sends a photo of my work (more…)
Of What Remains.
You can’t really beat an email from a client like this, from back in January:
Okay, are you ready for this…………………it is finally done! The picture is absolutely gorgeous and my framer did a wonderful job framing it. Merry Christmas to me!!!!!
-Kendyl

This is a very large print—it measures 48″ long by 16″ high, a 3:1 ratio. By the time you add the mat and frame, the final work is nearly 6′ wide…
Here is the image, click for a larger version:

This is the type of client email I love to get:
All we can say is wow!!! Â -Vicki
It’s a very satisfying feeling seeing my work hang in someone’s home—especially when the owner goes all the way and paints the wall and hangs a light fixture solely for my print.


It maybe be hard to tell, but this isn’t a small print… it is 22″ tall x 44″ wide. With the frame, it’s roughly 31″ x 55″ and quite heavy. The framer did an amazing job—I had not considered a black mat with a white bevel, but I quite like it. The organic pattern on the frame is a natural extension of the tree itself. A good frame job really emphasizes the artwork and also makes it look better—all without drawing attention to itself. This is a really well thought out example of that.
This is one of the images from my Plain of Jars series. Click the image below for a large view:
